Ghent, 10 June 1989, for Geraldine Nerea (1989)

In this video Vromman shows us virtuoso how a “plan séquence” is capable of exploring a given spatial arrangement notably an abandoned church in Ghent. It is as though the camera possesses a will of its own, or, more appropriately, as it became itself a dancer within the given space. The columns become veritable side wings behind which the dancers are playing hide and seek and where perpetually new movements and new images are discovered. Summary by argosarts.org